![]() ![]() ![]() And most probably the singer will stand in the curve of the piano a little in front of it. That means that you have the piano player to the left (all seen from the audience). The concert grand would probably be placed with the lid open. After all you expect opera singers to sound in a concert hall. I approach a recording like this using a single stereo pair of mics. It is indeed very different from rock recordings. So I will try to tell you how I approach this kind of things. Have done quite a bit of acoustical recordings though. Would you reccomend capturing a lot of room reflections as opposed to synthetic verb?Īny help you can offer would be appreciated. would this be a correct assumption?Īs far as mixing, I am sure a little compression would be necesary, but how much? I've had good results with a -24 threshold and a 4:1 ratio for rock, but this girl can pack up those SPLs. I would assume that due to the nature of the genre, vocal doubling would be unnecessary. I know this setup is not exactly amazing for an opera recording, but has worked most excellently for rock and metal, and as I've said i've never needed to do this kind of recording before. I was hoping someone could give me some tips on mic placement, general setup, mixing techniques, etc. This is my first attempt at this genre, having done several albums in both the metal and acoustic rock genres. I will be recording a female opera singer in the middle of the local philharmonic with piano acommpanyment. I am about to embark on my most dangerous recording venture ever. ![]()
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